Pink Floyd’s “Money”: switch from seven to four

“Money” gives you a useful meter-change challenge: hold the quarter-note pulse while the bar changes from seven beats to four. Count the new bar length without speeding up.

Alfred’s licensed teaching edition identifies the song’s move from 7/4 to 4/4 and back. Our short loop places one seven-beat bar beside one four-beat bar so you can rehearse the change repeatedly. Those two bars are an original drill, not the song’s section lengths.

The count

An eleven-click exercise: seven quarter notes, then four quarter notes, with accents on clicks 1 and 8. Say: 1 2 3 4 5 6 7 · 1 2 3 4.

ANYBEATLESSON SETUP
PATTERN7-4

Quarter-note pulses

Rhythm 111 pulses
AccentBeatSoftMuted

Tap a block to change its accent. The full pattern repeats when it reaches the end.

Stopped

The lesson pattern is loaded. Press play, change the tempo, or tap a block to change its accent. Reset brings back the lesson setup.

Set it up in AnyBeat

  1. In More options > Write a Pattern, enter 7-4. Turn off any existing second rhythm. This gives one seven-beat group and one four-beat group.
  2. Set View Rhythm Chart > Pulse value to quarter notes and start at 60 BPM. The accent after beat seven is the first beat of the four-beat bar.
  3. Save the loop. To spend longer in each meter, make a second exercise with 7-7-4-4. Keep the quarter-note tempo the same.

Practise it in stages

Phase 1

Settle into seven

First build 7 by itself. Tap an even pulse and say all seven numbers. Leave the last beat as much space as every other beat.

Move on when: The next one arrives after seven complete beats.

Phase 2

Make the short turn

Return to 7-4. Clap each bar’s first beat and count quietly between claps. The second bar ends after four, even if your body expects another seven.

Move on when: You can repeat the eleven-click loop four times without losing the starts.

Phase 3

Move the phrase across the change

Play the same short two-note idea over the loop. Let the meter decide where the next bar begins rather than restarting the idea whenever it feels convenient.

Move on when: Your phrase and your count can continue independently.

Phase 4

Hear the arrangement

Listen for the seven-beat groove and the four-beat section in the recording. Stop the recording and use 7-7-4-4 to rehearse changing your count on cue.

Move on when: You can identify a meter change by the bar length, not just by a new instrument entering.

What this exercise leaves out

The 7-4 loop deliberately changes meter much more often than the recording. It contains no bass riff, solo or recorded drum part. Learn the actual arrangement from the recording or a licensed score.

Listen: Listen to “Money”.

Sources: Alfred Rock Ed.: Money, meter changes and licensed score preview.

Build the count. Then play it.

Start slowly, save the loop, and return to it when the group changes stop surprising you.

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